James Deep - Moving People
Story by Brent Crampton
Photos contributed by Various Sources
February 6th started out as a typical friday
morning for me. I woke up and soon made my way over to my Mac to
began
checking email and the web. I was casually sorting through the
usual
junk on the Technomaha.com forum when I came across something very
stunning. I opened a thread written by Kirill, aka Comrade and
my
mouth dropped open and my eyes glared in disbelief as my consciousness
internally read the line, “I’m sad to inform everyone,
in case anyone
didn’t know yet, I just found out that James Deep has passed
away last
night.” James Hein passed away on evening of February 5th
at the age
of 22 years. He was survived by his parents, Dennis and Margaret;
sister, Jennifer R. Hein; fiancee Melissa Haver and the Omaha
electronic community.
I soon found myself at the visitation. Amongst the crowd of friends
and family mourning the death of James, along the side was a long
red
banner with white lettering that read, “JAMES DEEP MOVING
PEOPLE.” I
soon recalled that the banner was a few years old since James had
released a cd back in 2001 entitled, “Moving People.” At
the time of
its conception, the banner was quite fitting. James Deep truly
was a
mover of people on the dance floor. But in his death, I found the
banner to take on a new meaning. While he wasn’t moving people
on the
dance floor, the medium replaced itself to the hearts of those
who
where close to him. In his death, James is still moving people.
The Story Of James Hein
James was born in Council Bluff, Iowa in 1981 and moved around
the
country with his family for a number of years before settling in
Omaha.
Growing up, James was immersed in music. His mother, Margaret Hein,
was an elementary school music teacher and she rubbed her love of
classical music onto her children. At the age of two, James was
learning how to play the Cello and by age 6, he was playing full-on concertos.
At age 10, he bought a guitar and took up lessons, then eventually
he made his way to becoming a DJ. As his sister Jen Hein
said, “Anything that he ever touched came easy to him.”
He became introduced to electronic music while in 7th grade when
living
in El Paso, Texas. He would sneak out at night with his friends
and
attend raves. Then in his 8th grade year, his family made the move
to
Omaha where he was destined to leave his mark forever.
It
was his freshman year in high school at Millard North High, and
as
the pimple-faced adolescent with baggy pants made his way into
his Japanese language class, he noticed a kid with long hair wearing
a
Nirvana T-Shirt. Then in James’ Orchestra class while playing
the
Cello, he noticed the same kid. Because of their eclectic interests
in choices of classes, James and Aaron Godbout, aka Lunatik, began
their
long held friendship. Aaron, a senior at the time, would be the
one to
open the floodgates unto the underground electronic world for James
in
Omaha, and in the process become his best friend.
Every DJ has their story as to how they took the massive “leap” from
being a spectator to full-fledge taking on the art of DJing. James
definitely has his own escapade. His newfound friend, Aaron, was
doing
a weekly at the Cyber Cafe on 108th in Center. Every friday night
his
crew would bring in a massive sound system and throw a free party.
Aaron was spinning on CDJ’s back then. One day while Aaron
was on
vacation, he let James borrow his CDJ’s. This was the first
time James
had his hands on DJing equipment for an extended period of time.
Aaron
says that when he returned from vacation, “he had mastered
how to mix.” Soon following this incident, in 1997 James
bought turntables, and as Aaron said, “it was all over after
that!” James
made his first DJ
performance at the Cyber Cafe.
Not long after, he was spinning jungle with Omaha old-schooler's
-
Patrick Everwood, Aaron Lee and Tommie Emmie, and according to
Godbout,
they “would look at him with sick envy in their eyes” when
they saw him
mix. His DJ name was Jump, and he formed the infamous Death Squad
with
Aaron. With the formation of this group, it was able to spark fierce
competition in the Omaha jungle scene. It was the Death Squad vs.
The
Omaha Junglistic Society, which really translated into Aaron and
James
vs. Tommie, aka Kaoss. So the battle began between who could put
on
the best show and have the freshest track selections. In James’ effort
to out do Tommie, he would call up record labels in the UK and
ask to
speak directly to the artists themselves. In developing relationships
with the artists, he would talk them into sending over CDR’s
of the
newest material. The CD would arrive in the mail and Aaron and
James
would remark according to Aaron, “Tommie is gonna freak out!”
The Death Squad formed the perfect duo. In the quest to put on
the
better show, James began learning the scratching techniques that
he
would later become notorious for, while Aaron would display his
MC
abilities.
If
that wasn’t enough, James was known to bash
records on
the turntables and throw the pieces out into the audience. He would
drop the volume while Aaron would scream at the crowd and tell
them to
stomp their feet and make some noise. They would even run out into
the
crowd and spray cans of silly string and throw handfuls of noise
makers
into the crowd. The Death Squad soon earned a reputation all over
the
midwest playing in Ohio, Colorado, Des Moines, and Minneapolis
to name
a few. At one particular show in St. Louis, Mo, the crowd was rather
unresponsive. Aaron and James pulled their classic move of dropping
the volume and trying to hype the crowd or else threatening to
stop
playing. Evidently the crowd must not have taken them seriously,
because it wasn’t long before James had stopped the platter
and the duo
began to exit the stage. Needless to say, the promoters of that
party
weren’t too happy with them.
From James’ interest in scratching, and his natural talent
to pick up
onto anything, James took on another DJ moniker, Vision, to represent
his battle-style DJing, and competed in the 1999 DMC Competition
and
placed in 2nd in the midwest division and beat DJ Illogic. Under
the
moniker of Vision, James began playing out to the hip-hop community
in
Omaha. He was soon a well-respected scratch DJ in Omaha. He competed
in a local turntabilist competition, Fresh Fest, and controversially
placed second to DJ Dynomite. According to Aaron, James was far
superior in his DJing abilities, but lost because Dynomite scratched
with his shoe and evidently the judges were in favor of originality
rather than scratching ability.
In the meantime, James took a different outlook on his genre style
in
the electronic community and switched over from DnB to techno.
From
there James changed his DJ name to what he is most notable for,
James
Deep. With inspirations like Dave Clarke and Mauro Picotto, combined
with his DMC scratching skills, James blew away crowds with his
talent.
During the days of James Deep, James recorded a mix cd that he
had
planned on passing out at the next AM Productions event, “Gravity
2.” He was having a difficult time figuring
out a name for the cd, so he
went over to his friend Mark Cullinane’s house to brainstorm.
They
spent all day in front of the TV playing Tony Hawk on Play Station
while listening to the cd to come up with a name. During the process,
they would be continually moving their heads to the beat. Finally,
while putting the game on pause, the two were on to something.
Maybe
it was the bobbing of the heads, or maybe it was the fast pace
of the
video game, but they came up with the name, “Moving People.” So
Mark
made a vinyl banner that read in bold lettering, “JAMES DEEP
MOVING
PEOPLE.” And the banner hung mid-stage during the cd release
party, Gravity 2. I remember attending the party and while standing
in the
dark atmosphere amongst the party-goers, I could see this reflective
banner lighting up as the lazers passed by. James Deep took to
the
stage that night and began to move people. He hasn’t stopped
since.
James was at the forefront of the electronic scene in Omaha. He
played
at most of the major parties to hit Omaha, such as the Delicious
events
and all of the Am Industries parties, as well as playing along
side
names such as Frankie Bones, H Foundation, Crystal Method, Nigel
Richards with the list going on. In his last year, James met the
love
of his life, Melissa Haver. They were engaged during the last few
months before he passed away. Aaron summed up the stunning event
of
his death by saying, “I really thought that I was going to
be attending
his wedding and not his funeral.” James was also working
on a new
record label, Wreckless Recordings, with his best friend, Aaron.
Despite his sudden departure, the record label is set to launch
during
the Winter Music Conference, with one of the future releases produced
by James entitled, “World Police.”
To put it simply, James had allot going for him.
James’ most outspoken attribute was his socially adept personality.
As
Aaron said, “it was so easy for James to make friends.” He
went on to
say, “especially when it comes to the ladies.” James
was notorious for
his half smirk of a smile that seemed to indicate that there was
some
inside joke going on that you weren’t in on, or what Aaron
said, that “
he knows more than you.” According to Mark Cullinane, “James
was the
guy that was laid back when he wanted to be, but was ready to go
when
it was on.” He was known for his intelligence, wittiness,
honesty,
ability to share and his concern for others. “He has a big
heart” said
his sister Jen. A good friend of James’ in the early days
of the party
scene, Tim Grasrick, commented that James never was one to complain
about his own situation, but rather was always concerned with issues
that his friends were going through.
Undisputedly, James’ passion in life was music. According
to his
friend, Shawn Patrick, James was “probably one of the most
talented
kids I know.” And he possessed his talent on the decks even
at an
early age. “He moved me because he was so young and talented.” In
fact, James had a huge impact on the electronic community in Omaha.
Because of his uncanny scratching abilities, reputation for having
new material and staying on the fringe of change in the dance world,
James
raised the standard for the DJ in Omaha.
Even though James is no longer moving people on the dance floor,
staring at that banner in the midst of pain of his absence, I realized
that he is moving people’s hearts. Through the strife that
many have
gone through in the past month, much has been learned about life.
Aaron summed up the feeling amongst friends and family when he
said, “I
hope that people realize that life can be very fragile and that
you have to live life to its full potential.” The fact is, James’ music touched allot of people. As Tim
said, “We
met each other through music and our friendship took over from
that.”
On the day of his funeral, James’ sister Jen, was standing
outside
reflecting on her brothers life. In her despair and grief, “all
I
could hear him say was . . . ‘keep moving.’”