On
Decks with Shadowrunner
written by Shadowrunner
photo by Todd Comer
(Please note: The On Decks column is a monthly mix featured
exclusively on phocas.net. Once the month is over, the mix
is retired and a new one is hosted in it's place. Consequently,
you will need to contact Shadowrunner in order to obtain a
copy of this mix.)
Hits = 61
In 1989, Shadowrunner awoke to a new rhythm
of life found in late nights, all types of different souls
and redemption in the dark pulsating arenas of clubs and house
parties. Strange new experiences made him more aware of the
power of music and how it affects the intellect and alters
emotions. This was the start of a long artistic journey of
one man for a life in the electronic music culture.
Pizzazz dance club, and later The Power Plant
in Lawrence, KS was his first experience working lighting
and sound. From August of 89 to February 91, he did lighting
for the clubs and house parties as well as started to learn
the technical aspects of spinning. These jobs taught him the
valuable lesson of creating enjoyable atmospheres with minimal
lighting and varied styles of electronic music. It was easy
to be accepted into this new group of people, living with
the music and being responsible in this community. Attitudes
were focused on the exploration of new music and always creating
an appropriate vibe to promote the underground sounds.
Fortune smiled on him early on in 1995 when he co-founded
a promotions group, “Gawdawful Productions“, which
would play a role in helping to cultivate the electronic music
scene in Kansas City and elsewhere. His many efforts in this
partnership would help produce and manage a handful of larger
scale parties, promotions for numerous other events, and weekly
house parties and club events. Bringing in such artists as
Heather Heart, Adam X, DRC, as well as, showcasing many local
and regional talents too.
However, after Gawdawful, he still was content
to promote artists and produce parties. As a partner in the
label, he represented a group of DJ’s and composers,
all talented in their own right, under Nexstrand Records (1997).
After a year and a half the partnership dissolves with two
releases under their belts.
Finding a passion for his companion’s
work and truth in their undertakings, he progressed onto the
next level. He opted, after toiling in the background for
years, to take a stab at the limelight. Thus, in January of
1999, he devoted himself to his love of the music. Mixing
seemed to come easy to him. The many years of studying the
technical aspects of music and mixing helped to hasten his
skills. Within 3 months, he had his first headlining gig at
a smaller club event, and within 6 months, he started headlining
at larger events and nightspots regularly.
In the late summer of 1999, Shadowrunner
befriended some of the region’s best organizers of the
Midwest’s electronic music culture, SyQuiL.com. Nothing
made him prouder than being a SyQuiL dj, and helping out with
the site. Pappy (Patrick Adams), the owner of the site, contributed
so much to the local and regional scene and gave so much exposure
to many people and events.
In the summer of 2001, he started a rotation of the regional
bars playing regularly at Tragos, The Omni, The Millennium,
XO, and with Rj Bass at the Hurricane (a popular club in KC),
as well as, keeping up a good schedule of out of town gigs.
Long after he established himself, he continued
his journey into the realm of musical immersion by purchasing
a Roland MC 505. After gaining competency with this, he pursued
the dream further with the Roland SP 808 EX and signed with
a local enthusiast group, Goblin Market (2002).
September of 2003 Shadowrunner was approached
to assist in the technical operations of an emerging new nightclub
in Kansas City. Chakra was a new nightspot with a comfortable
approach to clubbing in KC. Shadowrunner took the position
of lighting and sound coordinator. Over the course of the
next year, he took on many responsibilities (bookings, promotions,
staging, bar tending, managerial support, remodeler, and resident
disc jockey).
Early 2005: Shadowrunner joins forces with
Syde-Sho, KC Collective, and phocas.net He is very anxious
to bring his talents to these respected collectives of artists.
His latest CD was in preparation for a spot
at Midwest Freakfest in Murphysboro, Illinois. Aurora Sanctum
is a collection of some of his recent favorites. He had the
early morning set that shut down the stage and welcomed in
the dawn.
Click HERE
to have a listen now!
- Sarah McLachlan - Sweet Surrender (Tiesto Rmx) - Nettwork,
US
- Ridgewalkers feat. El - Find (Original Mix) - Baroque,
UK
- Yunus & Subsky - Erotic Sumo - Red Flag Collective,
US
- Dousk– Mute - Bedrock, UK
- Perry O'Neil– Arise - Electronic Elements, Belgium
- Avatar - The Haze (Greed Rmx) - SogChrome, UK
- Yellow Blackbeard - Superfly (Greed Rmx) - Sogchrome,
UK
- Parallel Sound - Beyond Your Soul - Hope Recordings, UK
- Girl Nobody - Why Am I Alone (Wrecked Angle Rmx) - Release
Elements, Canada
What Shadowrunner says this about his CD:
I made this CD to get a feel of a morning
set. Sometimes when your senses have been assaulted all night
long, it’s nice to kick back and relax to a pretty set.
Originally, I was scheduled for an hour set, so the CD was
made to be about sixty minutes to practice the programming
or general flow of tracks.
The first couple of tracks I keep it vocal
and beautiful to lure in the people. Then the next pair of
tracks I take them to a dark sensual place and let them relax
for a bit. Starting about the fifth track I drift towards
an uplifting synth driven movement. This gets the energy flowing
and opens the way for the next two tracks. They are more of
a rock inspired pair of club tracks that drive hard and don’t
let up. Nearing the end of the CD I go a bit breaky with a
neo-techy from Hope. This starts to wind it down enough to
end it out with a punk vocal break track that pulls back and
ends it all.
For more information just eMail
DJ Shadowrunner directly!